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Make Money On the internet – Earn Income At Residence Simply With Comfort
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When seeking for a legitimate on the internet enterprise, it is advisable to carry out some substantial study to set up if the opportunity is legitimate or a just one more scam. It is essential to devote some time in researching all possibilities, just before you component with any cash or sign up with a plan. You will locate a lot of free data yes you will come across some details which has no value whatsoever. But obtaining said this you will also find some extremely valuable info, particularly on the internet sites of established affiliate marketers who are prepared to assist newcomers.
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If you are new to net advertising and marketing it would be wise to search for an opportunity which provides coaching or a single on one assistance. You might also think about seeking to see if they have a no cost trial or funds back guarantees. The most essential element that you require to check for is training, there is much to find out about affiliate marketing and advertising and with no training your enterprise will have really little chance of survival.
You do not need to devote lots of cash there are a lot of free courses to be observed on the world wide web. You can discover some great ideas and often valuable details from newsletters and most affiliate marketers do send out newsletters frequently. So you may want to take into account signing up for free of charge newsletters, no cost eBooks or reports. By doing this it will give you the chance to get to know your referrer, this will give you some idea about their merchandise and if they are legitimate or most importantly if they are going to be of any worth to your enterprise.
Christine is relatively new to affiliate advertising and her aim is to aid guide other newcomers to genuine affiliate advertising items and coaching. http://legitimateonlineincomeopportunities.blogspot.com/2009/01/discover-legitimate-on the internet-income.html
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Could 7, 2009, really should stand for inserted into your calendar as a day of “smart” bandwagon leaping. It is the season when accepted Electrical launched “Healthymagination,” a generous occasion of billion “to allow far better healthcare focusing on expense, access, once more quality.” Of this total, half (about billion) is pledged by 2015 to foster healthcare innovation, delivering far better patient care at lower price, with EMR software packages simply because the state additional private sectors tailor-made an integral component of the pair. lie low EMR packages in spot to a significantly greater cusp than at present, GE targets to strengthen healthcare method are likely to be met.
In reality, among the dynamite fervor areas outlined by Healthymagination is “accelerating healthcare report technologies,” a bullet dab that implies proliferating EMR software and could just be the essential. GE Chairman and CEO Jeff Immelt had this to say, “Healthcare wants aggrandized solutions. We compulsion innovate with smarter processes and technologies that assist doctors in addition to hospitals wind up alternative healthcare to relatives at lower cost.”
Immelt seems to serve as echoing President Obama and his federal administrators as they’ve discussed the 7 billion brunt with its billions set aside as EMR-associated innovations. Mandates are now in place to “come onboard” shelter essential modifications to the way we do healthcare mark the U.S., such as the January 1, 2011, beginning iota to begin receiving stimulus funds designated for EMR purposes. disguise that firm deadline looming for physicians and hospitals to bring the “paperless” rotation to their let on offices again patient records, the race to beat the rush has just now taking into consideration 2009 ticks down. But impetus is further when huge corporate joins the bandwagon as GE has carried out. Former U.S. Senator Tom Daschle, a member of GE’s Healthymagination advisory agent asserts, “We boundness only uncover real solutions supremacy healthcare when company, government, and their partners animation with each other.” How right he is.Visit now http://sellingonebaypartner.blogspot.com/
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Army Photography Contest – 2007 – FMWRC – Arts and Crafts – Barrel of Light

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Army Photography Contest – 2007 – FMWRC – Arts and Crafts – Barrel of Light
Photo By: SSG Ryan Boas
To learn more about the annual U.S. Army Photography Competition, visit us online at www.armymwr.com
U.S. Army Arts and Crafts History
After World War I the reductions to the Army left the United States with a small force. The War Department faced monumental challenges in preparing for World War II. One of those challenges was soldier morale. Recreational activities for off duty time would be important. The arts and crafts program informally evolved to augment the needs of the War Department.
On January 9, 1941, the Secretary of War, Henry L. Stimson, appointed Frederick H. Osborn, a prominent U.S. businessman and philanthropist, Chairman of the War Department Committee on Education, Recreation and Community Service.
In 1940 and 1941, the United States involvement in World War II was more of sympathy and anticipation than of action. However, many different types of institutions were looking for ways to help the war effort. The Museum of Modern Art in New York was one of these institutions. In April, 1941, the Museum announced a poster competition, “Posters for National Defense.” The directors stated “The Museum feels that in a time of national emergency the artists of a country are as important an asset as men skilled in other fields, and that the nation’s first-rate talent should be utilized by the government for its official design work… Discussions have been held with officials of the Army and the Treasury who have expressed remarkable enthusiasm…”
In May 1941, the Museum exhibited “Britain at War”, a show selected by Sir Kenneth Clark, director of the National Gallery in London. The “Prize-Winning Defense Posters” were exhibited in July through September concurrently with “Britain at War.” The enormous overnight growth of the military force meant mobilization type construction at every camp. Construction was fast; facilities were not fancy; rather drab and depressing.
In 1941, the Fort Custer Army Illustrators, while on strenuous war games maneuvers in Tennessee, documented the exercise The Bulletin of the Museum of Modern Art, Vol. 9, No. 3 (Feb. 1942), described their work. “Results were astonishingly good; they showed serious devotion …to the purpose of depicting the Army scene with unvarnished realism and a remarkable ability to capture this scene from the soldier’s viewpoint. Civilian amateur and professional artists had been transformed into soldier-artists. Reality and straightforward documentation had supplanted (replaced) the old romantic glorification and false dramatization of war and the slick suavity (charm) of commercial drawing.”
“In August of last year, Fort Custer Army Illustrators held an exhibition, the first of its kind in the new Army, at the Camp Service Club. Soldiers who saw the exhibition, many of whom had never been inside an art gallery, enjoyed it thoroughly. Civilian visitors, too, came and admired. The work of the group showed them a new aspect of the Army; there were many phases of Army life they had never seen or heard of before. Newspapers made much of it and, most important, the Army approved. Army officials saw that it was not only authentic material, but that here was a source of enlivenment (vitalization) to the Army and a vivid medium for conveying the Army’s purposes and processes to civilians and soldiers.”
Brigadier General Frederick H. Osborn and War Department leaders were concerned because few soldiers were using the off duty recreation areas that were available. Army commanders recognized that efficiency is directly correlated with morale, and that morale is largely determined from the manner in which an individual spends his own free time. Army morale enhancement through positive off duty recreation programs is critical in combat staging areas.
To encourage soldier use of programs, the facilities drab and uninviting environment had to be improved. A program utilizing talented artists and craftsmen to decorate day rooms, mess halls, recreation halls and other places of general assembly was established by the Facilities Section of Special Services. The purpose was to provide an environment that would reflect the military tradition, accomplishments and the high standard of army life. The fact that this work was to be done by the men themselves had the added benefit of contributing to the esprit de corps (teamwork, or group spirit) of the unit.
The plan was first tested in October of 1941, at Camp Davis, North Carolina. A studio workshop was set up and a group of soldier artists were placed on special duty to design and decorate the facilities. Additionally, evening recreation art classes were scheduled three times a week. A second test was established at Fort Belvoir, Virginia a month later. The success of these programs lead to more installations requesting the program.
After Pearl Harbor was bombed, the Museum of Modern Art appointed Mr. James Soby, to the position of Director of the Armed Service Program on January 15, 1942. The subsequent program became a combination of occupational therapy, exhibitions and morale-sustaining activities.
Through the efforts of Mr. Soby, the museum program included; a display of Fort Custer Army Illustrators work from February through April 5, 1942. The museum also included the work of soldier-photographers in this exhibit. On May 6, 1942, Mr. Soby opened an art sale of works donated by museum members. The sale was to raise funds for the Soldier Art Program of Special Services Division. The bulk of these proceeds were to be used to provide facilities and materials for soldier artists in Army camps throughout the country.
Members of the Museum had responded with paintings, sculptures, watercolors, gouaches, drawings, etchings and lithographs. Hundreds of works were received, including oils by Winslow Homer, Orozco, John Kane, Speicher, Eilshemius, de Chirico; watercolors by Burchfield and Dufy; drawings by Augustus John, Forain and Berman, and prints by Cezanne, Lautrec, Matisse and Bellows. The War Department plan using soldier-artists to decorate and improve buildings and grounds worked. Many artists who had been drafted into the Army volunteered to paint murals in waiting rooms and clubs, to decorate dayrooms, and to landscape grounds. For each artist at work there were a thousand troops who watched. These bystanders clamored to participate, and classes in drawing, painting, sculpture and photography were offered. Larger working space and more instructors were required to meet the growing demand. Civilian art instructors and local communities helped to meet this cultural need, by providing volunteer instruction and facilities.
Some proceeds from the Modern Museum of Art sale were used to print 25,000 booklets called “Interior Design and Soldier Art.” The booklet showed examples of soldier-artist murals that decorated places of general assembly. It was a guide to organizing, planning and executing the soldier-artist program. The balance of the art sale proceeds were used to purchase the initial arts and crafts furnishings for 350 Army installations in the USA.
In November, 1942, General Somervell directed that a group of artists be selected and dispatched to active theaters to paint war scenes with the stipulation that soldier artists would not paint in lieu of military duties.
Aileen Osborn Webb, sister of Brigadier General Frederick H. Osborn, launched the American Crafts Council in 1943. She was an early champion of the Army program.
While soldiers were participating in fixed facilities in the USA, many troops were being shipped overseas to Europe and the Pacific (1942-1945). They had long periods of idleness and waiting in staging areas. At that time the wounded were lying in hospitals, both on land and in ships at sea. The War Department and Red Cross responded by purchasing kits of arts and crafts tools and supplies to distribute to “these restless personnel.” A variety of small “Handicraft Kits” were distributed free of charge. Leathercraft, celluloid etching, knotting and braiding, metal tooling, drawing and clay modeling are examples of the types of kits sent.
In January, 1944, the Interior Design Soldier Artist program was more appropriately named the “Arts and Crafts Section” of Special Services. The mission was “to fulfill the natural human desire to create, provide opportunities for self-expression, serve old skills and develop new ones, and assist the entire recreation program through construction work, publicity, and decoration.”
The National Army Art Contest was planned for the late fall of 1944. In June of 1945, the National Gallery of Art in Washington D.C., for the first time in its history opened its facilities for the exhibition of the soldier art and photography submitted to this contest. The “Infantry Journal, Inc.” printed a small paperback booklet containing 215 photographs of pictures exhibited in the National Gallery of Art.
In August of 1944, the Museum of Modern Art, Armed Forces Program, organized an art center for veterans. Abby Rockefeller, in particular, had a strong interest in this project. Soldiers were invited to sketch, paint, or model under the guidance of skilled artists and craftsmen. Victor d’Amico, who was in charge of the Museum’s Education Department, was quoted in Russell Lynes book, Good Old Modern: An Intimate Portrait of the Museum of Modern Art. “I asked one fellow why he had taken up art and he said, Well, I just came back from destroying everything. I made up my mind that if I ever got out of the Army and out of the war I was never going to destroy another thing in my life, and I decided that art was the thing that I would do.” Another man said to d’Amico, “Art is like a good night’s sleep. You come away refreshed and at peace.”
In late October, 1944, an Arts and Crafts Branch of Special Services Division, Headquarters, European Theater of Operations was established. A versatile program of handcrafts flourished among the Army occupation troops.
The increased interest in crafts, rather than fine arts, at this time lead to a new name for the program: The “Handicrafts Branch.”
In 1945, the War Department published a new manual, “Soldier Handicrafts”, to help implement this new emphasis. The manual contained instructions for setting up crafts facilities, selecting as well as improvising tools and equipment, and basic information on a variety of arts and crafts.
As the Army moved from a combat to a peacetime role, the majority of crafts shops in the United States were equipped with woodworking power machinery for construction of furnishings and objects for personal living. Based on this new trend, in 1946 the program was again renamed, this time as “Manual Arts.”
At the same time, overseas programs were now employing local artists and craftsmen to operate the crafts facilities and instruct in a variety of arts and crafts. These highly skilled, indigenous instructors helped to stimulate the soldiers’ interest in the respective native cultures and artifacts. Thousands of troops overseas were encouraged to record their experiences on film. These photographs provided an invaluable means of communication between troops and their families back home.
When the war ended, the Navy had a firm of architects and draftsmen on contract to design ships. Since there was no longer a need for more ships, they were given a new assignment: To develop a series of instructional guides for arts and crafts. These were called “Hobby Manuals.” The Army was impressed with the quality of the Navy manuals and had them reprinted and adopted for use by Army troops. By 1948, the arts and crafts practiced throughout the Army were so varied and diverse that the program was renamed “Hobby Shops.” The first “Interservice Photography Contest” was held in 1948. Each service is eligible to send two years of their winning entries forward for the bi-annual interservice contest. In 1949, the first All Army Crafts Contest was also held. Once again, it was clear that the program title, “Hobby Shops” was misleading and overlapped into other forms of recreation.
In January, 1951, the program was designated as “The Army Crafts Program.” The program was recognized as an essential Army recreation activity along with sports, libraries, service clubs, soldier shows and soldier music. In the official statement of mission, professional leadership was emphasized to insure a balanced, progressive schedule of arts and crafts would be conducted in well-equipped, attractive facilities on all Army installations.
The program was now defined in terms of a “Basic Seven Program” which included: drawing and painting; ceramics and sculpture; metal work; leathercrafts; model building; photography and woodworking. These programs were to be conducted regularly in facilities known as the “multiple-type crafts shop.” For functional reasons, these facilities were divided into three separate technical areas for woodworking, photography and the arts and crafts.
During the Korean Conflict, the Army Crafts program utilized the personnel and shops in Japan to train soldiers to instruct crafts in Korea.
The mid-1950s saw more soldiers with cars and the need to repair their vehicles was recognized at Fort Carson, Colorado, by the craft director. Soldiers familiar with crafts shops knew that they had tools and so automotive crafts were established. By 1958, the Engineers published an Official Design Guide on Crafts Shops and Auto Crafts Shops. In 1959, the first All Army Art Contest was held. Once more, the Army Crafts Program responded to the needs of soldiers.
In the 1960’s, the war in Vietnam was a new challenge for the Army Crafts Program. The program had three levels of support; fixed facilities, mobile trailers designed as portable photo labs, and once again a “Kit Program.” The kit program originated at Headquarters, Department of Army, and it proved to be very popular with soldiers.
Tom Turner, today a well-known studio potter, was a soldier at Ft. Jackson, South Carolina in the 1960s. In the December 1990 / January 1991 “American Crafts” magazine, Turner, who had been a graduate student in art school when he was drafted, said the program was “a godsend.”
The Army Artist Program was re-initiated in cooperation with the Office of Military History to document the war in Vietnam. Soldier-artists were identified and teams were formed to draw and paint the events of this combat. Exhibitions of these soldier-artist works were produced and toured throughout the USA.
In 1970, the original name of the program, “Arts and Crafts”, was restored. In 1971, the “Arts and Crafts/Skills Development Program” was established for budget presentations and construction projects.
After the Vietnam demobilization, a new emphasis was placed on service to families and children of soldiers. To meet this new challenge in an environment of funding constraints the arts and crafts program began charging fees for classes. More part-time personnel were used to teach formal classes. Additionally, a need for more technical-vocational skills training for military personnel was met by close coordination with Army Education Programs. Army arts and crafts directors worked with soldiers during “Project Transition” to develop soldier skills for new careers in the public sector.
The main challenge in the 1980s and 90s was, and is, to become “self-sustaining.” Directors have been forced to find more ways to generate increased revenue to help defray the loss of appropriated funds and to cover the non-appropriated funds expenses of the program. Programs have added and increased emphasis on services such as, picture framing, gallery sales, engraving and trophy sales, etc… New programs such as multi-media computer graphics appeal to customers of the 1990’s.
The Gulf War presented the Army with some familiar challenges such as personnel off duty time in staging areas. Department of Army volunteer civilian recreation specialists were sent to Saudi Arabia in January, 1991, to organize recreation programs. Arts and crafts supplies were sent to the theater. An Army Humor Cartoon Contest was conducted for the soldiers in the Gulf, and arts and crafts programs were set up to meet soldier interests.
The increased operations tempo of the ‘90’s Army has once again placed emphasis on meeting the “recreation needs of deployed soldiers.” Arts and crafts activities and a variety of programs are assets commanders must have to meet the deployment challenges of these very different scenarios.
The Army arts and crafts program, no matter what it has been titled, has made some unique contributions for the military and our society in general. Army arts and crafts does not fit the narrow definition of drawing and painting or making ceramics, but the much larger sense of arts and crafts. It is painting and drawing. It also encompasses:
* all forms of design. (fabric, clothes, household appliances, dishes, vases, houses, automobiles, landscapes, computers, copy machines, desks, industrial machines, weapon systems, air crafts, roads, etc…)
* applied technology (photography, graphics, woodworking, sculpture, metal smithing, weaving and textiles, sewing, advertising, enameling, stained glass, pottery, charts, graphs, visual aides and even formats for correspondence…)
* a way of making learning fun, practical and meaningful (through the process of designing and making an object the creator must decide which materials and techniques to use, thereby engaging in creative problem solving and discovery) skills taught have military applications.
* a way to acquire quality items and save money by doing-it-yourself (making furniture, gifts, repairing things …).
* a way to pursue college credit, through on post classes.
* a universal and non-verbal language (a picture is worth a thousand words).
* food for the human psyche, an element of morale that allows for individual expression (freedom).
* the celebration of human spirit and excellence (our highest form of public recognition is through a dedicated monument).
* physical and mental therapy (motor skill development, stress reduction, etc…).
* an activity that promotes self-reliance and self-esteem.
* the record of mankind, and in this case, of the Army.
What would the world be like today if this generally unknown program had not existed? To quantitatively state the overall impact of this program on the world is impossible. Millions of soldier citizens have been directly and indirectly exposed to arts and crafts because this program existed. One activity, photography can provide a clue to its impact. Soldiers encouraged to take pictures, beginning with WW II, have shared those images with family and friends. Classes in “How to Use a Camera” to “How to Develop Film and Print Pictures” were instrumental in soldiers seeing the results of using quality equipment. A good camera and lens could make a big difference in the quality of the print. They bought the top of the line equipment. When they were discharged from the Army or home on leave this new equipment was showed to the family and friends. Without this encouragement and exposure to photography many would not have recorded their personal experiences or known the difference quality equipment could make. Families and friends would not have had the opportunity to “see” the environment their soldier was living in without these photos. Germany, Italy, Korea, Japan, Panama, etc… were far away places that most had not visited.
As the twenty first century approaches, the predictions for an arts renaissance by Megatrends 2000 seem realistic based on the Army Arts and Crafts Program practical experience. In the April ‘95 issue of “American Demographics” magazine, an article titled “Generation X” fully supports that this is indeed the case today. Television and computers have greatly contributed to “Generation X” being more interested in the visual arts and crafts.
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Why all the Mind Games? I Just Want to Make Money Online!
When you are starting a home business and just want to make money online, it can seem frustrating when top network marketing companies keep harping on about goal setting and mental strategies.
This article outlines the importance of a person’s mindset in their ultimate success as an entrepreneur and whether it really is a mind game or just hard work.
Many top network marketing companies run ‘rah rah’ events to keep their reps motivated – to help them see life at the top. You know the kind … and for the main, they talk about goal setting and mental strategies.
It’s the same for much of the internet marketing training you find, they talk about what success takes and being persistent, determined.
You’re not alone if you want to skip through the “fluff”. You shout: “Just tell me how to make money online “… and ask tentatively “when are we going to get to the millionaire stuff?”
Well … this IS the millionaire stuff!
Mindset.
Let me illustrate with a real example:
I was talking to a potential new student of mine today who had submitted her application to partner with me in the marketing education system I use as part of my coaching. She talked about her past failures in MLM and how she was struggling with learning affiliate marketing.
We had a conversation about the way a sales funnel and automation need to work, how if you set things up right, you shouldn’t need to call leads but will attract people to you.
As a sustainable and profitable business model, your marketing system needs to do all the selling and explaining and filters out the people who aren’t that serious.
Of course, attracting people to you is the only way to market these days on the internet.
The ultimate success factor
This prospect and I also talked a lot about overcoming fear of failure and the importance of a person’s mindset in their ultimate success as an entrepreneur (whether as a network marketer or affiliate marketer, makes no difference).
This is a HUGE part of why the community I am a part of is so very successful and why so many of our members stay members.
The lady in question had a fairly basic education and was scraping by with some part-time work, having burnt out in MLM over the last few years. But it was her mindset that struck me as the first nut to crack.
You see, she saw herself as ‘unworthy’ compared to what she called “high flying sales executives”. And she asked me … “Why would anyone want work with me? Isn’t it only those “professionals” who are successful at this stuff?”
Well, we talked this through and I don’t know if I connected with her or not, I hope so. I hope she “got it” – that the light bulb flicked on in terms of what is takes to be successful as an entrepreneur.
It certainly is about skills and about systems, but if you don’t get the mindset right, you will quickly run out of faith or energy, whichever comes first.
There were SO many things that leapt out at me about that discussion that I felt driven to share some ‘aha’ moments with my blog readers … so here goes.
Hope the light bulb goes on for you too.
Work as hard (or harder) on yourself than you do on your business. Personal development is not fluffy, it’s critical for short term success and longer term growth.
When you tell yourself things are going too slow … understand that if you’re building a skyscraper (your future income goals), solid foundations are critical for long term stability.
With solid foundations, the money flows and the building (your income) can keep growing. The deeper the piles underground, the taller the building on top.
Be aware of the hidden voice in your subconscious that drives your decisions – stop listening to your doubts and doubting your beliefs.
Visualise your success every day in minute detail, play out how a typical day looks and feels if you had the income you desire.
Only when you really can ‘see’ yourself in a position of achieving your goals can you truly work towards them and achieve them in reality. This takes a bit of practice.
Work consistently and persistently, taking action every day that takes you closer to your goals – income producing activity in this game is driving traffic and following up with people, and later coaching others to success.
Finally … a mantra:
Personal Development integrated with Online Marketing = Leadership and SUCCESS!
There are three things you need to make money online – my three ‘M’s: Mindset, Marketing and a profitable business Model. This is something I teach in more detail in my free 7 day business builder coaching course.
Jay Allyson is a leader in one of the fastest growing teams of online entrepreneurs out there today on the internet. If you’re looking for a community of successful entrepreneurs to mastermind with, CarbonCopyPRO will help you to make money online – it’s a vehicle for the 3Ms: Mindset, Marketing, Model.
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The three Top World wide web Job Scams
I have been creating money online for a even though now. For a lengthy time I was the victim of scam artists. I would see glossy web pages providing jobs on the internet that would “earn thousands of dollars in a handful of months”. Right after paying my money and receiving the data I gave each and every job a go. But you know what? Despite how challenging I worked at them none ever produced me a cent! It is doable to make great money from the net, but there are some factors that just don’t operate. This post will highlight the 3 prime net job scams so you can remain well clear.
The initial scam is Information Entry. We are told in ad soon after ad that there are organizations out there just begging for us to enter data for them. And for this they will pay hundreds of dollars. The ads hint that all we want to do is fill in types, or copy and paste information. We are told we only will need to pay a tiny fee and the secret to untold wealth will be ours. We eagerly pay to understand how to function for these firms that just appear to want to give us funds. Then we get the information and it’s rubbish. We’ve been had! All we typically get is encouraged to continue the scam by attempting to get other people to pay to join. Consider about it. If these businesses will need information entry function accomplished they could employ their very own staff for minimum wage. Why would they want to pay hundreds of dollars to us for the very same thing?
The next scam is MLM, or Multi Level Advertising and marketing. We all know that pyramid promoting is a scam and illegal. With pyramid selling you pay to join an exclusive team and then get other people to pay you to join, then they other people etc. The only people acquiring wealthy are the really prime people who set up the scheme. The people like us on the bottom have no opportunity of producing any funds. The only difference among MLM and pyramid selling is that MLM has some variety of item to promote. In all other respects it is the same. All the glossy advertisements concentrate on the wonderful opportunity we can join, and all the luxury items that we will soon be able to get. The reality is we pay up and the only folks we can persuade to acquire from us are family and pals. When it all goes wrong, as it constantly does, we are the ones left to clarify to our loved ones. It is not the developers of the web job scam who are laughing all the way to the bank with our money.
The last scam to highlight is paid surveys. Now don’t get me incorrect. there are some legitimate websites out there that will pay for your opinions. But it won’t make you wealthy. You won’t be ready to give up your day job. The websites and advertisements to be wary of will say you can make thousands of dollars by just giving your opinions to businesses. These web sites will then ask for a high fee to inform you how to do this. At best you might make a few dollars. At worst you drop cash by getting into another MLM scheme.
There are lots of opportunities to make great cash from the world wide web. But please comprehend like something else in life it requires steady function to obtain. There are numerous world wide web job scams, so if it sounds too excellent to be accurate it probably is!
Ted White has learned the challenging way about all the pitfalls of creating money on-line.
Net Job Scams
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